Editor’s Blog – notes from an English village

Bela Tarr – the ultimate director of European existential film-noir? Are you a fan of long, slow European art movies with strong symbolic overtones, shot in black and white or at the very least shades of murky sepia, in which the main character walks down deserted white roads in the mountains at dusk, or throughContinue reading “Editor’s Blog – notes from an English village”

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