It was a sultry summer day, not very hot, but humid. There was a decadent end of summer feel even though it was only towards the end of July. I decided that August would be a herald of autumn rather than a glorious finish to the season, and so it was necessary to make the best of it, dress light and step out with determination along the languid maze of lanes that thread the countryside to the west of the great spine of the Malverns. Beyond that tawny ridge to the east I knew there are motorways, cities and the hundred million distractions of modern life. But here, west of that sheltering spine, just silence apart from what Heaney so memorably called ‘the distant gargling of tractors’. On the verges the thresh of bleached grasses is soaked in dew, there is a sense of rot about to happen, but for now the air is damp but cool and the lanes are empty and inviting. The sky is a mix of clouds and clarity. Sometimes for half an hour it appears to be going to cloud up completely and looks ominous, but the next moment the vapours dissolve and the sky goddess is back in her glory…
The Castle Hill area of Cambridge is almost certainly the oldest continuously inhabited part of the city – it is here that the Roman fort was established in the first century CE. Perhaps this is why the whole area, which is still a tangle of streets and alleyways, once you leave the wide ring road that snakes through it, has a sense of strangeness and dislocation. You are very close to the hyper-busy tourist areas of the colleges and shops, but there is a sense of being threaded into the density of the past, the whole area has a slightly eerie quietly brooding atmosphere that clogs the arteries of one’s immediate concerns…. Continue reading
Woke to find a blank impassive wall of fog, plaster board grey, utterly featureless, where there would normally be a view of the estuary from my father’s back garden. Every few minutes the fog horn would let out its erie drone, to be absorbed immediately by the blanketing silence.
Two hours later and the first faint shapes of the oil refinery terminal at the seaward end of the estuary were beginning to appear. The grain of pragmatic reality condensing out of the ether…
There is a local beauty spot just next to Addenbrookes Hospital, Cambs, called Nine Wells. Here in a small wood several springs rise from a chalk aquifer and wind their way through hidden water-courses amongst beech trees and scrub. A magical place, but these days very close indeed to ‘civilisation’ – an entire city of gleaming bio-tech complexes is being built on its doorstep.
However, there are two other woods called Nine Wells in South Cambridgeshire. One assumes it must be a very ancient name for a wood with several springs, perhaps sacred to a local goddess. So on a cold bright Friday morning in November I set off by bike for the Nine Wells wood near Whittlesford. Continue reading
A morning walk on the borders of Cambridgeshire and Essex, shimmering fine rain, heavy cloud and bursts of sun. A sultry, thickened end of summer day. The village of Great Chishill is marked on the OS map as being 479 feet above sea level, giving its fortunate residents expansive views over a land of sprawling cornfields and caucuses of dark woods clumped on the hill tops. To the north the land drops sharply away to the plains of central Cambridgeshire, to the south the more wooded, gently bounding lands of north Essex.
Next to the church the road drops away down to the plains, with cottages on each side, a little bit like Gold Hill, Shaftesbury:
Just posted to our literature pages: a review of Mark Tredinnick’s, Bluewren Cantos (Pitt Street Poetry) by Colin Pink
Colin Pink says:
“Tredinnick’s poetry combines the personal, the spiritual and the natural worlds into one intricate web of meaning. There’s a richness to his work that resonates from bringing these perspectives together. One might say, rubbing them together creates the friction that ignites these poems into a pure and memorable flame.:
Read the full review here: TREDINNICK REVIEW
Any would-be reviewer of this large volume is in danger of falling into abashed silence. What can one say about the life’s work of the person who is without doubt England’s greatest living poet, the only authentic carrier of the torch lit by Pound and Eliot? I imagine that those who first held the collected poems of Yeats in their hands must have felt the same way. As Yeats was the brilliant last, late flowering of the entire Romantic tradition in poetry, the same might be said of Hill as regards the hieratic high modernism of Pound and Eliot. Continue reading