Just posted new essay on Buddhism and the rebirth of a culture of beauty.

The face I had before the world was made: Why art, Buddhism and beauty go hand in hand – a major new essay which sets out the values behind Urthona journal of Buddhism and the Arts, a journey in the company of James Hillman, Sangharakshita and W. B. Yeats by Urthona editor, Ratnagarbha.

Ratnagarbha (Ambrose Gilson) editor of Urthona

The first book to be written from a Western perspective on the subject of Buddhism and the arts was Art and Meditation, by the well known German devotee of Tibetan Buddhism, Lama Govinda, and originally published in 1936. In this he says:

Art and meditation are creative states of the human mind. Both are nourished by the same source, but it may seem that they are moving in different directions: art towards the realm of sense-impressions, meditation towards the overcoming of forms and sense-impressions. But the difference pertains only to accidentals, not to the essentials.1

Read the rest of the essay on our Culture and Society pages:

What the Silence Meant – Poems and Music that Celebrate Stillness and Listening

The cover of Meg Hutchinson's new album 'Beyond That'. Available from www.meghutchinson.com
The cover of Meg Hutchinson’s new album ‘Beyond That’. Available from http://www.meghutchinson.com
Simon Millward looks at a new book of poems ‘in conversation’ with the late, great American poet William Stafford, and the music of Meg Hutchinson. Both of these artists show a strong feeling for silence and the value of listening…

In the last issue of Urthona there was an article entitled ‘Hearing the wilderness listen’, taken from an essay written by Manjusvara that looked closely at William Stafford’s poem ‘Travelling through the dark’. It is strange how things can interconnect unexpectedly. I read this article again at a time when I had become increasingly interested in the albums of an American folk singer songwriter Meg Hutchinson. On her website I discovered that she also loved poetry, quoting William Stafford, Mary Oliver, Yeats and Frost among her influences, as well as Greg Brown and Joni Mitchell on the music side.Continue reading “What the Silence Meant – Poems and Music that Celebrate Stillness and Listening”

Discipleship – an idea worth ressurecting?

The dictionary says that a disciple is ‘the follower of the doctrines of a teacher or school of thought’. But this doesn’t really convey the experiential flavour of that ancient institution. In days gone by, when you took up a trade or a course of study in guild, church or university, you were apprenticed to a master. You followed their teaching in craft, curriculum or philosophy closely. No doubt you were aware that as a human being they were far from perfect, but you knew that your future success in life depended on learning as much from the master as possible in a very broad sense. This aspect of education and human development is something we have largely lost in the modern world. In the Buddhist movement I am part of we are taking some steps to reinstate this ancient tradition, in ways that suit these times. I think we have a long way to go. Not everyone likes the idea. This may be because the second, religious, meaning of the word ‘a follower of Christ’ has been widely used by analogy in our times to apply to the often gullible devotees of eastern or new age gurus. This usage tends to imply a complete self surrender to the teacher on the part of the disciple. The result is that the more ‘secular’ meaning, of being a follower of someone’s teaching, which only implies a reasonable human respect for the teacher, has been drowned in the colourful, melodramatic history of religious and esoteric cults over the last hundred years or so. Think of the Golden Dawn, Madam Blavatsky, Rajneesh – all had their so called disciples – but how much did these followers really learn?Continue reading “Discipleship – an idea worth ressurecting?”

Cantos for a Post Modern age: Mark Tredinnick

Just posted to our literature pages: a review of Mark Tredinnick’s, Bluewren Cantos (Pitt Street Poetry) by Colin Pink

Colin Pink says:

“Tredinnick’s poetry combines the personal, the spiritual and the natural worlds into one intricate web of meaning. There’s a richness to his work that resonates from bringing these perspectives together. One might say, rubbing them together creates the friction that ignites these poems into a pure and memorable flame.:

Read the full review here: TREDINNICK REVIEW

Mark Tredinnick
Mark Tredinnick

Geoffrey Hill: Broken Hierarchies (collected poems 1952-2012)

Hill reading in Leeds last year
Hill reading in Leeds last year

 

Any would-be reviewer of this large volume is in danger of falling into abashed silence. What can one say about the life’s work of the person who is without doubt England’s greatest living poet, the only authentic carrier of the torch lit by Pound and Eliot? I imagine that those who first held the collected poems of Yeats in their hands must have felt the same way. As Yeats was the brilliant last, late flowering of the entire Romantic tradition in poetry, the same might be said of Hill as regards the hieratic high modernism of Pound and Eliot. Continue reading “Geoffrey Hill: Broken Hierarchies (collected poems 1952-2012)”

Editor’s Blog – thoughts on art, life and everything

In memory and celebration: Seamus Heaney

download (1)

Seamus Heaney died on August 30th this year at the age of 74 after a short illness – he had taken a fall outside a Dublin restaurant. Physically he had been weaker since a stroke in 2006, but his last collection Human Chain (2010) showed no dimmunition in his powers of sensitivity and reflection. It was described by Ruth Pardell, poet and judge of the Forward Prize, as ‘a collection of painful, honest and delicately weighted poems… a wonderful and humane achievement’ (Human Chain was the first of his collections to win that prize – perhaps the only major poetry award he had not so far received.)

His previous collection District and Circle (2006) likewise contained several intensely moving poems with an elegiac mood. It was characteristic of the man, loved by so many – poets, writers and millions of others around the world – to have been preparing us, and himself, for his expected departure, with down to earth images of both mortality and on going life.Continue reading “Editor’s Blog – thoughts on art, life and everything”

Editor’s Blog – notes from an English village

A summer evening in Granchester

 

There have been times when I well might have passed and the ending have come–

Points in my path when the dark might have stolen on me, artless, unrueing…

Thomas Hardy, ‘In Tenebris’

Granchester Meadows - a grey and cheerless dusk which Hardy would have appreciated.
Granchester Meadows – a grey and cheerless dusk which Hardy would have appreciated.

It is cooler now and the meadows have lost the smouldering Tuscan gleam they had last week. As if to reinforce the changed mood the farmers have been around and mowed flat the long grasses and the dry thistles that baffled even the tough lips of the Redpoll herd. No doubt this will lead to fresher and sweeter leaves to eat for the cattle as the summer days shorten to Autumn. For the moment however, it is a somewhat dreary sight. Last night at dusk there was a grey wash over the sky as I walked out into the meadows. It was one of those summer evenings which are nonchalantly non-descript – the air was warm and thick with the sweet peppery smell of newly mowed hay, and a few a slightly darker rags of cloud banded the uniform grey above.Continue reading “Editor’s Blog – notes from an English village”

New Documentary about Nuns in Tibet released

Just to let you know that an in depth documentary film about the life of a community of Buddhist nuns in Tibet is about to be released.

The London Premiere takes place on

30th June 2013, Sun
Bulgarian Cultural Institute, London
188 Queen’s Gate
Kensington
SW7 5HL
Urthona will be covering this fascinating and unique film in our next issue due out in the autumn.

William Blake and the technology of publishing

A page from Blake's Book of Urizen
A page from Blake’s Book of Urizen

Blake is virtually unique in European art for the way in which image and poetry are married in his visionary prophetic books. Early in his professional life Blake hit upon a novel method for printing his own books from etched copper plates, where hand written text and images could be combined.Continue reading “William Blake and the technology of publishing”

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