URTHONA Buddhist arts magazine

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 Explore art & culture from a Buddhist perspective

Welcome to Urthona magazine, taking its name from William Blake’s zoa or archetypal spirit of the creative imagination Urthona blends a Romantic concern with inner and outer spiritual freedom with the insights of the Buddhist East. Urthona appears once a year in 68 page full colour A4.

This site is best viewed in desktop mode. Click on ESSAYS & ART FEATURES above for online essays on literature, art & more. Access all 35 printed back issues at URTHONA SHOP. More on our vision at ABOUT URTHONA link above. Scroll down for EDITOR’S BLOG – musings on art & spirit of place.


Current issue: e-Mag American Zen

CLICK IMAGE to buy current issue from Square storefront. American Zen issue 35 investigates the influence of Zen Buddhism on American letters and fine arts, from Pound to Cage via Abstract Expressionism.


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NB The American Zen issue (35) is only a available as digital download due to Covid restrictions. Issue 35 explores the dynamic encounter between American culture and Buddhism, especially Zen in the mid 20th century. From John Cage, to Beat poets Ginsberg & Snyder plus Abstract Expressionist painters such as Mark Tobey. In fact many of the most iconic figures of American arts are on these pages. Contents includes: * The Crack of Vision: Buddhist influenced poetry in North America – Pound to Snyder. * Fine new poetry from Dhivan, Paramananda, Rachel Jagger, Penny Hope and many others. * Rothko: Horizons, Emptiness and Perfect Vision by Donal Mac Erlaine. * Zen and Abstract Expressionism. * Ginsberg and the Beats – a personal memoire of 50s California from Acarasiddhi. * Gary Gach on Bresson’s Diary of a Country Priest. * Fascinating abstract art from Abhayavajra in Suffolk…

If Romanticism did away with the notion of art as a mirror, D. T. Suzuki introduced another mirror to the discussion: the Zen mirror, an ubiquitous symbol of the clear mind reflecting reality as it is… Suzuki wants it both ways: he asserts the value of originality and creative particularity but insists that this should be neither personal, as the Romanticist claimed, nor social, as many contemporary thinkers argue, but should be based on an immediate access to and representation of reality that transcends the personal and the social.

This quote from David L. McMahon’s groundbreaking study The Making of Buddhist Modernism sums up the encounter between a modernism still deeply indebted to Romanticism and a vision of Zen shorn of its normal cultural and ethical context. This attempt to discover the deepest truth of the everyday, of ‘this very life we are living’ in the words of John Cage, who was profoundly influenced by the writings of D. T. Suzuki, is the topic of our 35th issue. Here we explore the transformative encounter of Buddhism, especially Zen, with 20th century poetry and painting.

Urthona’s Vision

Urthona, appearing once a year, is a lavishly illustrated, 68 page,  glossy magazine: with original and inspired poetry, fine art & photography features, reviews plus in depth articles on a fascinating theme chosen for each issue. Themes have included Indian Art, Romanticism, Art & Ecology, Writing as a sacred art…

We explore art, literature, culture and imagination from a modern Buddhist perspective. Our inspirations are William Blake and the Romantics, the zen poets of Japan, symbolists, psychonauts and radicals of all ages and climes.   

Editor’s blog: musings on art, literature & spirit of place – scroll down this page.

On top menu above: click ‘ABOUT URTHONA + CONTACTS‘ for more on our vision.

On top menu above: find links to feature pages for longer online essays / art features on many dimensions of art and the sacred for the 21st century.


The only Megalith in Essex?

This standing stone was spotted just outside Hatfield Forest, north east Essex. Although it has clearly been set up by a farmer just outside his farmhouse as an interesting feature, the stone itself does look very old and extremely weathered. It is some kind of conglomerate with many small pebbles ingrained in the rock. Surely someone trying to manufacture a megalith would not use this kind of stone as it doesn’t look especially mythic or impressive. However its shape is certainly very like some of the smaller standing stones at Avebury. So if a forgery a clever one…

PS I hear rumours of a church somewhere in Essex that is supposed to have a ring of buried megaliths all around the edge of the grave yard. I hope to report on this properly at some point in the future. Any pointers gladly received…

 

 

The Old Straight Track

Stourbridge Common –

tracks to nowhere, the iron bridge, memories of the fair…

Blog Old Footbridge 1

Stourbridge Common is the nearest piece of semi-rural land to where I live in Cambridge. It is only a five minute cycle ride away but on dark winter afternoons it can take on an epic doom-laden appearance… The straight track across its centre becomes a walk into the infinite instead of a few hundred yards towards the railway bridge.

Continue reading “The Old Straight Track”

Littoral Fringes of the New Forest

New Forest Fringes_07

Many of us would like to have a corner of the earth with which we have a special connection. But I suspect I am not alone in finding myself pulled in two directions: there is the place where I was brought up, on the fringes of the New Forest and the edge of the large estuary of Southampton Water – a shoreline but not a seashore, with industrial relics, and intrusive modern gravel banks, a boundary zone for which the word liminal is far too airy fairy…. Continue reading “Littoral Fringes of the New Forest”

New Post – striking mythic drawings based on ancient slavic beliefs

Rarog the Divine Falcon
Rarog the divine Falcon

We feature the fascinating mythic art work of Marek Hapon based on the ancient slavic beliefs of his pagan ancestors. 

“My first contact with ancient Slavic beliefs occurred while spending summers at my grandmother’s farm in eastern Poland. It was there that I discovered the world of supernatural beings — some frightening and others wondrous. One such scary demon was the Licho…. ”

Marek Hapon Drawings

A walk in the Malverns

It was a sultry summer day, not very hot, but humid. There was a decadent end of summer feel even though it was only towards the end of July. I decided that August would be a herald of autumn rather than a glorious finish to the season, and so it was necessary to make the best of it, dress light and step out with determination along the languid maze of lanes that thread the countryside to the west of the great spine of the Malverns. Beyond that tawny ridge to the east I knew there are motorways, cities and the hundred million distractions of modern life. But here, west of that sheltering spine, just silence apart from what Heaney so memorably called ‘the distant gargling of tractors’. On the verges the thresh of bleached grasses is soaked in dew, there is a sense of rot about to happen, but for now the air is damp but cool and the lanes are empty and inviting. The sky is a mix of clouds and clarity. Sometimes for half an hour it appears to be going to cloud up completely and looks ominous, but the next moment the vapours dissolve and the sky goddess is back in her glory…

Continue reading “A walk in the Malverns”

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